The Annuciation in Gothic and Early Renaissance Art Essay

The Annuciation in chivalric and Early Renaissance Art - probe ExampleOverall, the painters act as the societal mirror with emphasis in interpretation of complex issues.Vyssi Brod Cycle was a painting done by eclipse/Cycle of Vyssi Brod and is dated 1350. The 14th century was manifested with the urge to represent the Annunciation by several painters as observed in the above art masking an angel communicating to Virgin Mary. Master/Cycle of Vyssi Brod, an artist of German descent, use tempera on wood panel to smoothen the linen finale of his painting now located in the National Gallery in Prague (Janson & Janson 123).This painting is called Annunciation with St. Margaret and St. Ansanus and was done by two artists namely Lippo Memmi and Simone Martini. These were Italian Gothic artists fascinated with the Annunciation concept prompting them to complete the painting in 1333. On the other hand, they used gold on panel and Tempera to finely paint the Cathedral of Siena as dedicatio n to the patron saints of the city such as St. Ansanus and St. Victor. Therefore, because of its brilliant nature, the painting is presently located in Florence, Italy and mostly displayed at Uffizi Gallery. It means the Annunciation of this painting is determined by the entry of Archangel Gabriel into the house of Virgin Mary to bear the message of the son to be innate(p) called Jesus.In terms of Annunciation, the two artists easily compare to original biblical text found in Luke 126-38. For example, Annunciation with St. Margaret and St. Ansanus by Lippo Memmi and Simone Martini actually represent the moment Archangel Gabriel has descended from heaven to impart the good message of a son to be born. This is complimented by extras that include the background setting where Mary is sitting in a holy place flanked by companions carrying crosses. Alternatively, the props that include the flower in Gabriels hand enable the two artists to elaborate the drool because it is a representat ion of a gift (Janson & Janson 128). Additionally, the two